Young, stupid, and growing up.

Stay young, go dancing.

  • 7th May
    2012
  • 07
  • 19th April
    2012
  • 19
  • 16th April
    2012
  • 16
ombuddha:

Concentration and mindfulness are distinctly different functions. They each have their role to play in meditation, and the relationship between them is definite and delicate. Concentration is often called one-pointedness of mind. It consists of forcing the mind to remain on one static point. Please note the word force. Concentration is pretty much a forced type of activity. It can be developed by force, by sheer unremitting willpower. And once developed, it retains some of that forced flavor. Mindfulness, on the other hand, is a delicate function leading to refined sensibilities. These two are partners in the job of meditation. Mindfulness is the sensitive one. He notices things. Concentration provides the power. He keeps the attention pinned down to one item. Ideally, mindfulness is in this relationship. Mindfulness picks the objects of attention, and notices when the attention has gone astray. Concentration does the actual work of holding the attention steady on that chosen object. If either of these partners is weak, your meditation goes astray.
Bhante Henepola Gunaratana.
Photo by Lynn Wohlers.

ombuddha:

Concentration and mindfulness are distinctly different functions. They each have their role to play in meditation, and the relationship between them is definite and delicate. Concentration is often called one-pointedness of mind. It consists of forcing the mind to remain on one static point. Please note the word force. Concentration is pretty much a forced type of activity. It can be developed by force, by sheer unremitting willpower. And once developed, it retains some of that forced flavor. Mindfulness, on the other hand, is a delicate function leading to refined sensibilities. These two are partners in the job of meditation. Mindfulness is the sensitive one. He notices things. Concentration provides the power. He keeps the attention pinned down to one item. Ideally, mindfulness is in this relationship. Mindfulness picks the objects of attention, and notices when the attention has gone astray. Concentration does the actual work of holding the attention steady on that chosen object. If either of these partners is weak, your meditation goes astray.

Bhante Henepola Gunaratana.

Photo by Lynn Wohlers.

  • 16th April
    2012
  • 16
  • 24th March
    2012
  • 24
  • 15th March
    2012
  • 15
a-ladys-findings:

“We now know enough to know that we will never know everything. This is why we need art: it teaches us how to live with mystery. Only the artist can explore the ineffable without offering us an answer, for sometimes there is no answer. John Keats called this romantic impulse ‘negative capability.’ He said that certain poets, like Shakespeare, had ‘the ability to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ Keats realized that just because something can’t be solved, or reduced into the laws of physics, doesn’t mean it isn’t real. When we venture beyond the edge of our knowledge, all we have is art.” Jonah Lehrer’s Proust Was a Neuroscientist

a-ladys-findings:

“We now know enough to know that we will never know everything. This is why we need art: it teaches us how to live with mystery. Only the artist can explore the ineffable without offering us an answer, for sometimes there is no answer. John Keats called this romantic impulse ‘negative capability.’ He said that certain poets, like Shakespeare, had ‘the ability to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ Keats realized that just because something can’t be solved, or reduced into the laws of physics, doesn’t mean it isn’t real. When we venture beyond the edge of our knowledge, all we have is art.” Jonah Lehrer’s Proust Was a Neuroscientist

  • 8th March
    2012
  • 08

codeines:

Dear Stranger, by Shizuka Yokomizo

For this 1998-2000 series of portraits, photographer Shizuka Yokomizo left several anonymous letters on the doorsteps of random ground floor apartments that read:

Dear Stranger,

I am an artist working on a photographic project which involves people I do not know…. I would like to take a photograph of you standing in your front room from the street in the evening.”

The letter specified a certain ten-minute period during which the artist would approach, take the picture, and slip back into the darkness. She would only reveal her identity once her subjects received a print and contact information (so that they could let her know if they objected to their portrait being exhibited).

Yokomizo made sure that when the photos were taken, the light would be too dark outside to see her — it would only allow her subjects to see their own reflections in the window they were looking out of.

(via jessica-dear)

  • 15th February
    2012
  • 15
  • 24th November
    2011
  • 24
  • 19th November
    2011
  • 19
  • 6th November
    2011
  • 06
  • 2nd November
    2011
  • 02
  • 1st November
    2011
  • 01
  • 31st October
    2011
  • 31
  • 23rd October
    2011
  • 23